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About Synplant

Syn­plant is a soft­ware syn­thes­izer with a ge­net­ic ap­proach to sound cre­ation. In­stead of cre­at­ing patches the con­ven­tion­al way by turn­ing di­als and knobs, Syn­plant lets you ex­plore a world of or­gan­ic sounds by plant­ing seeds that grow in­to synth patches.

Grow, Mutate, Create

The pur­pose of this product is to move fo­cus away from the some­times in­tric­ate and dif­fi­cult pro­cess of sound syn­thes­is and in­stead let you de­vel­op sounds by simply us­ing your ears. You will find that cre­at­ing synth patches with Syn­plantwill be as easy as listen­ing and de­cid­ing what you like and then hav­ing the sounds evolve in the dir­ec­tions you de­sire.

Once you are ready to get your hands dirty and dig deep­er in­to the ana­tomy of Syn­plant you will have the op­tion to crack open your sound seeds and modi­fy their un­der­ly­ing ge­net­ic code.

Al­though Syn­plant is ex­ceed­ingly easy to use, whatever you do, do not let its re­l­at­ive sim­pli­city fool you. Be­neath its straight­for­ward and play­ful in­ter­face you will find a ver­sat­ile syn­thes­izer of the ut­most qual­ity with lots of char­ac­ter.

Overview

Synplant’s developers have devised a cross-platform plug-in that sheds the usual synthesizer paradigm in favour of a “genetic approach” to sound design. The seemingly simple GUI hides a deep instrument capable of producing a wide variety of interesting sounds.

It all starts with a ‘seed’ that floats in a pool of darkness. The seed is encircled by a so-called ‘key ring’ that is divided into a dozen segments, each representing one of the 12 notes comprising an octave.

‘Branches’ can be dragged from the centre of the seed to the surrounding edge of the key ring. As the branches change and grow, so too does the sound. Each note has a different sound, depending on the branch associated with it.

When you have a sound you like, you can take that particular branch as a fresh starting point. If you’d like each of the keys to play the same timbre (like a normal synth), you can ‘clone’ a particular branch.

There’s an option to save a preset at any point, and Synplant’s undo and redo functionality comes in handy if you wander down a path that proves to be sonically unfruitful and wish to return to an earlier point.

The ‘bulb’ described above is encircled by a quartet of sliders. Tuning does what you’d expect, but Atonality is a little more interesting. In the minimum position, sounds are generally (but not always) tonal; cranking it up results in increasingly far-out sound effects.

The Release slider tailors the time of the release envelope, while Effects enables one to dial in Synplant’s built-in effect, described as a “chorusing reverb”. All of these do what you’d expect with the caveat that they have a direct relationship with the state of the ‘genome’.

This genome sits behind the main interface. Represented as a DNA double helix, each ‘gene’ corresponds to a parameter, with an associated slider to adjust the value. There are 37 genes, granting access to things like FM amount, envelope times and LFO balance, etc.

Of course, there’s a synth at the core of it all, with a pair of oscillators that generate simple waveforms, along with filters, noise generators, envelope and effects.

If you think the genome editing will take the mystery away, think again. See, changes to the genome only affect the seed itself, which is, in turn, the basis for the sound produced by the branches. Modifying the genes might produce the effect you expect, but don’t bank on it!

Our only grumble is that, as obviously slick as the genome editor is, the parameter names are pretty cryptic, and all the values range from 0 to 1.

Back in the main GUI, three more sliders affect the scaling of the mod wheel, velocity sensitivity and the master volume, and that’s your lot. We told you Synplant’s interface was restrained…

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Sound and summary

The sound, however, is anything but restrained. Synplant is at turns metallic and clangourous, evocative and atmospheric, searing and stabbing. That there are tons of presets hardly matters, since Synplant is all about making new ones, but they do a good job of demonstrating that just about any sound is possible, from snare drums and basses to rich, glimmering pads.

Synplant is new, engaging, and, most of all, inspirational. We especially enjoyed automating the Key Ring for pseudo wavesequencing.

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The developers have gone out on a limb with this instrument to try and make the user think differently, and it’s paid off, resulting in the most fun we’ve had with a synth in ages. There’s also a great interactive tutorial to get you started.

Excellent work, Sonic Charge!